Barra

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Island Tales

“I once found a list of diseases as yet unclassified by medical science, and amongst these there occurred the word Islomania, which was described as a rare but by no means unknown affliction of spirit. There are people … that find islands somehow irresistible. The mere knowledge that they are on an island fills them with an indescribable intoxication.” Lawrence Durrell, from Reflections on a Marine Venus.

At a very young age I too was diagnosed with islomania. And it seems there is no known cure. Not that I’d want there to be one, as it’s a malady I’m more than happy to suffer from. Rarely fatal, though often chronic, it means, basically, you can’t get enough of islands! And as there is no known cure, the only way to live with it is to visit as many islands as you possibly can. And I do.

The Colonsay Hotel

What is it about islands? They come in all shapes and sizes. Even continents are little more than enormous islands. Land surrounded by water. There’s a children’s book by American writer Margaret W. Brown called The Little Island and a line in that sums up beautifully what it means to be an island: “A part of the world and a world of its own.” I suspect that also sums up the way many of us feel at times! An island offers that bit of distance, that apartness that we often need to slow down and deal with all that goes on in our busy, and at times stressful, lives.

Not that life on an island is without its ups and downs. Wherever people are, there will be challenges and tensions along the way. You only have to look at William Golding’s chilling novel Lord of the Flies for a horrific example of what can go wrong! I doubt there’s a perfect utopia for any of us. But I do find that people I’ve met on islands, or remote communities, often have the ability to apply ingenious lateral thinking when need arises.

The landing strip on Barra

And it’s this ability to look at things differently that I write about in the current issue of iScot Magazine (issue 79). Whether it’s that narrowly avoided storm in a communion cup, or the young doctor who appeared on a boat out of nowhere, or getting the right patient to hospital, or even defining ‘Mañana’, there are very many wonderful stories to tell!

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In search of Tintin: or how Arran and Barra played their part in Hergé’s best known ripping yarn!

Lochranza Castle on Arran

There’s something very dramatic about a castle perched on a rocky island, waves crashing against its rugged walls, its turrets defiant against all comers. Hergé, the Belgian creator of the redoubtable reporter Tintin, obviously thought so too and looked to Scottish islands for the inspiration of one of the most famous and best-loved of Tintin’s adventures – The Black Island.

Hergé wanted an adventure set somewhere remote and mysterious – and Scotland’s islands provided just that. The story was originally published in 1937 at a time when the Highlands and Islands of Scotland were still little-known at first hand to most people; shrouded as much by myth as by mist. By using a small mysterious, frightening island, Hergé created the perfect setting for strange goings-on.

The Black Island 1966 cover

In the 1960s the British publishers Methuen asked for the book to be updated and inaccuracies in the original edition to be corrected. Accordingly Hergé sent his chief assistant, Bob de Moor, to Scotland where he visited both Arran and Barra. De Moor was impressed by what he saw – wild landscapes, ancient castles and remote windswept locations.

And so Castlebay on Barra became the template for Kiltoch, the fictional Scottish village where Tintin ends up during his hair-raising pursuit of a gang of dangerous counterfeiters. While Lochranza Castle on Arran provided the inspiration for the ruinous and supposedly-haunted Craig Dhui Castle, perched menacingly on the mysterious and unwelcoming Black Island.

Castlebay on Barra became the fictional Kiltoch in The Black Island

Hergé’s stories were often set in real-life situations, dealing with contemporary events and headline news – as befits a reporter hero. Forgery and counterfeiting were growing concerns in the 1930s, while the growing number of light aircraft made it easier for the wrong-doers to flee to distant parts and escape justice. But obviously not when Tintin was around!

In many ways The Black Island is a straightforward detective thriller, its lasting popularity boosted by the “ripping yarn” nature of its plot. Hitchcock’s film version of John Buchan’s The 39 Steps had come out not long before the first edition of The Black Island and there are similarities between the two. Both have a hero who accidentally stumbles across a gang of villains, who is then wrongly accused of a crime, but escapes capture and heads for the wilds of Scotland, all the while being pursued by criminals and police alike. Though the police in Buchan’s ‘shocker’ could never have been quite as incompetent as that  pompous pair, Thomson and Thompson! Despite them however, both stories share exciting pacing and plotting, leading to a denouement in the rugged, wild and isolated Scottish countryside.

The tidal landing strip on Barra

Cinemagoers would also have recognised The Black Island’s terrifying ‘beast’ as King Kong had hit the silver screen not long before. And contemporary newspapers were full of reports surrounding first ‘sightings’ of the Loch Ness Monster. In his tale, Hergé skilfully uses the power of superstition as a tool used by the villains to discourage people from visiting the Black Island, while they use the island as the centre of their counterfeiting ring.

And how did this villainous band manage to get on and off the island? The answer to that comes again from Barra, as Hergé used the beach landing strip at Barra Airport as the model for the landing strip on the beach of the Black Island. All in all, it’s one of the best constructed and thrilling of Hergé’s Tintin canon – thanks in no small measure to the islands of Arran and Barra!

But this is just a taster, and there’s much, much more in the February issue of iScot Magazine, available from Pocketmags or from good independent newsagents.