As Albert Einstein commented, “Creativity is intelligence having fun!” And being creative – whatever form that creativity may take – is a vital ingredient in life. It’s a vital ingredient whoever you are, whatever age you may be. If we’re not creative we’re in danger of becoming passive, lazy in our thinking and in our living. Creativity comes from within us, but then takes us out of ourselves. And that’s no bad thing.
It’s especially important the older we become, when much of what we once took for granted becomes less easy. When we are, unavoidably, more limited in what we can do and where we can go. Being creative makes these limitations far more bearable.
Bette Davies once said, “Old age ain’t for cissies!” And it’s true. As our bodies start their slow decline, we inevitably face a multitude of new challenges, both physical and mental. But fortunately what we mean by ‘old’ is changing. Particularly noticeable is how we look when we grow older. Previous generations aged more quickly and died younger. Life was harder, food scarcer, homes colder, daily chores more draining, families larger, health care more limited. But now we live longer and we have the means, and the freedom, to look and dress very differently. Dress codes have changed dramatically. I don’t think my grandmother ever wore a pair of trousers in her life, my mother sometimes did, but I seldom wear anything else. And you have to ask yourself, why did it matter so much?
There are two members of my family who’ve certainly proved that being creative doesn’t have a sell-by date. One is my great-aunt, who at the age of 97 completed the manuscript of a novel, Spur of Light, which was published last November as both an ebook and a paperback! That’s been a huge boost to her both mentally and physically. Good news tends to have that effect!
Another long-lived relative of mine, was the poet Flora Garry (1900-2000). In the 1940s she wrote plays and was an occasional contributor to national papers. This was also when she started to write poetry, often in the local Buchan dialect, but it wasn’t until she was in her seventies that her first collection was published, with her final collection appearing when she was 95. At the age of 98, she was made a Master of the University of Aberdeen, the principal, Professor Duncan Rice, visiting her in her retirement home in Comrie, to confer the honour on her.
Like Tonie, and my grandmother Eveline Kellas, all three of them strong Aberdeenshire women, Flora remained creative and firing on all cylinders until the very end. So while there may be some who feel that age devalues us, I certainly don’t agree. Nor did Flora, whose self-penned epitaph read: “Here lies Flora Garry much against her will.”
The relationship between aging and creativity is a fascinating and complex one. Much wider, and, I believe, more important, than we often realise. And one that I look at in this month’s iScot article: It’s Never too Late! And that goes for us all!