Scottish artist Margot Sandeman (1922-2009) had a long-standing connection with the Isle of Arran. There were many happy childhood holidays with her family on the island. Later came sketching and painting trips with her good friend and fellow Glasgow School of Art student Joan Eardley. Finally, in 1973 Margot and her husband bought one of the little cottages up in High Corrie.
High Corrie is a unique place. The nine cottages that make up this tiny settlement sit tucked into the shelter of the mountain slope and give real insight into how the traditional communities of a bygone era would have looked. The setting – between mountain and sea – is beautiful, the views breathtaking. The High Corrie Burn flows past the clachan, while further up the hillside the rushing White Water makes an ideal picnic spot on the way up Goatfell.
We spent many memorable family holidays there. So it doesn’t surprise me in the slightest that Margot Sandeman fell in love with the place. Nor that both Corrie and High Corrie inspired some of her finest works. Or that the Isle of Arran as a whole proved to be a life-long source of creative inspiration for her.
In the little exhibition, No More Sheep, currently on in Kelvingrove Art Gallery in Glasgow, a selection of Margot Sandeman’s delicate paintings mourns the passing of a way of life she’d witnessed throughout the long years she’d been coming to Arran. In the early days sheep had played a big part in the life of the islanders and were seen all over the island. By the late 20th century that way of life was passing, if not gone altogether. And through these pictures she mourns that passing.
It’s good to know that Margot Sandeman is still remembered. And while this is only a tiny exhibition, it’s a good point to start from for anyone keen to find out more about Margot’s love of Arran and the places that inspired so much of her work.
No More Sheep: Margot Sandeman on Arran runs at the Kelvingrove Art Gallery and Museum until 1st June 2025
The full article is available in issue 103 of iScot Magazine
He was a scientist who helped put the first men on the moon. While his interest in the paranormal earned him the nickname of Glasgow’s Ghostbuster. And his thrillers, many set on Scottish islands, were for decades amongst the most sought-after books in public libraries. Yet, surprisingly, he’s little-known today.
In his thrillers, he wrote about places he knew well, in particular the islands of Arran, St Kilda and Mull. Fast-paced, some of his novels come with elements of science-fiction based on his own scientific experience and knowledge. In others, he looks at that great question of ‘what if’ specific events in history had taken a different course and left us with a very different present.
In this article, in the 100th issue of
‘Climb every mountain …’
Whose blood flows through your veins? Are you descended from dark-haired Celts, or fair-haired Norse Vikings. Or even those unfortunate Spanish sailors whose ships floundered in the stormy waters off the Scottish coasts in the aftermath of the Spanish Armada of 1588 and stayed on (think of Jimmy Perez!).
‘Climb every mountain …’ 