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Edgar Allan Poe in Ayrshire

Is it possible that classic American Gothic Horror got off the ground thanks to a small town in Ayrshire? That idea might not be as far-fetched as you think! For none other than Edgar Allan Poe spent time as a young boy in his foster parents home town of Irvine. And according to a popular local tradition he improved his reading by tracing out the names on gravestones in the parish churchyard!

This fascinating connection has been explored and promoted by Poetic Justice Productions, an award winning arts company based in North Ayrshire. A group of actors, journalists and writers, they’ve held a number of events over the past few years: drama, story writing competitions, read-a-thons and much more. All of which have raised awareness of Poe’s connection to Ayrshire.

The Herald, 11th July 2025

This year they held an especially exciting event when the director of the Poe House and Museum in Baltimore, Enrica Jang, was a guest at Poe, a Pie and Prosecco at the Harbour Arts Centre in Irvine.

The event opened with actor Steven Duffy and journalist Neil Smith describing Poe’s early years and his Irvine connection. Next Enrica spoke of the enduring mystery surrounding Poe’s death.

Steven then had the audience spellbound with his rendition of Poe’s tale of murder and guilt “The Tell-Tale Heart”, while Scottish crime fiction author Allan Martin discussed the legacy of Poe’s detective stores. Stories like “The Murders in the Rue Morgue” and “The Mystery of Marie Roget” which laid the foundations of detective tales to come.

Crime writer Allan Martin and North Ayrshire Provost Anthea Dickson

North Ayrshire Provost, Anthea Dickson, who was also amongst the evening’s guests, spoke warmly of how fascinating it had been to discover more about both the man and his place in the history of Irvine.

It was an enjoyable and informative evening, complete with the promised, and very delicious, Scotch pies and Prosecco. And I have to say, the presentation of an international award to the Poetic Justice team, given in recognition of their work promoting Edgar Allan Poe, was the icing on the proverbial cake.

You can find out much more about Poe’s fascinating connection to Ayrshire in my article in issue 107 of iScot Magazine!

 

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Margot Sandeman and the Arran Connection

Scottish artist Margot Sandeman (1922-2009) had a long-standing connection with the Isle of Arran. There were many happy childhood holidays with her family on the island. Later came sketching and painting trips with her good friend and fellow Glasgow School of Art student Joan Eardley. Finally, in 1973 Margot and her husband bought one of the little cottages up in High Corrie.

High Corrie is a unique place. The nine cottages that make up this tiny settlement sit tucked into the shelter of the mountain slope and give real insight into how the traditional communities of a bygone era would have looked. The setting – between mountain and sea – is beautiful, the views breathtaking. The High Corrie Burn flows past the clachan, while further up the hillside the rushing White Water makes an ideal picnic spot on the way up Goatfell.

We spent many memorable family holidays there. So it doesn’t surprise me in the slightest that Margot Sandeman fell in love with the place. Nor that both Corrie and High Corrie inspired some of her finest works. Or that the Isle of Arran as a whole proved to be a life-long source of creative inspiration for her.

In the little exhibition, No More Sheep, currently on in Kelvingrove Art Gallery in Glasgow, a selection of Margot Sandeman’s delicate paintings mourns the passing of a way of life she’d witnessed throughout the long years she’d been coming to Arran. In the early days sheep had played a big part in the life of the islanders and were seen all over the island. By the late 20th century that way of life was passing, if not gone altogether. And through these pictures she mourns that passing.

It’s good to know that Margot Sandeman is still remembered. And while this is only a tiny exhibition, it’s a good point to start from for anyone keen to find out more about Margot’s love of Arran and the places that inspired so much of her work.

No More Sheep: Margot Sandeman on Arran runs at the Kelvingrove Art Gallery and Museum until 1st June 2025

The full article is available in issue 103 of iScot Magazine

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Archie Roy

He was a scientist who helped put the first men on the moon. While his interest in the paranormal earned him the nickname of Glasgow’s Ghostbuster. And his thrillers, many set on Scottish islands, were for decades amongst the most sought-after books in public libraries. Yet, surprisingly, he’s little-known today.

But without doubt Professor Archie Roy was one of those men that Scotland used to produce – a polymath. A man whose interests weren’t narrowly proscribed. Rather, he was someone who was interested in, and open to investigating, everything around him. Be that on earth, in the heavens or somewhere in between! And who was fascinated by that greatest mystery of all – the human brain.

In his thrillers, he wrote about places he knew well, in particular the islands of Arran, St Kilda and Mull. Fast-paced, some of his novels come with elements of science-fiction based on his own scientific experience and knowledge. In others, he looks at that great question of ‘what if’ specific events in history had taken a different course and left us with a very different present.

They’re thrillers that stand the test of time and use the landscapes of these three very different islands to great effect.

In this article, in the 100th issue of iScot Magazine, I look at the rich and fascinating life of Archie Roy: scientist, ghostbuster and thriller writer – and so much more.

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A Tale of Two Countries – Austria and Scotland

The High Alpine Road at the Grossglockner Glacier

“Comparisons are odious” wrote John Lydgate in his Debate between the horse, goose, and sheep, circa 1440. While it’s clearly not a new sentiment, and in many cases a valid one, there’s no doubt there are times when comparisons can be a timely wake-up call to matters that can, and should be, dealt with.

After a recent trip to the Austrian Alps, I certainly felt that in comparison to Austria, with its excellent rural bus services, good rail network, welcoming tourist facilities, and well-maintained roads (not a pothole in sight), Scotland definitely comes a very poor second.

No country is perfect, no country gets everything right. But at the level of a country’s basic infrastructure – roads, railways, bus services – then right now Scotland is definitely getting things very wrong.

Take the appalling delays in dualling that ‘killer road’, the A9. Or the endless landslips and closures on the A83 at the Rest and Be Thankful – problems that have dragged on for decades and seen millions of pounds wasted on consultations and temporary fixes. Then look at how similar problems are dealt with in Austria – the point being that over there they are dealt with. None of it is rocket science, and it’s particularly galling when you think that Scotland once had a world-class reputation for its civil engineering skills.

Is it incompetence, neglect or sheer stupidity that stops our government dealing quickly and efficiently with essential matters of infrastructure? Matters that are vital for the sustainability of our rural communities.

These are fundamental issues that need to be addressed if rural Scotland – or indeed all of Scotland outwith the Central Belt – is to thrive. Even a quick comparison with how the Austrians deal with their challenging terrain and keep their many rural settlements well-connected, could provide answers to Scotland’s problems.  If they can get it right, then there’s no real excuse for us not to.

Austrians take a real pride in their country. They want visitors to see it at its best too. We could learn a lot from them.

Examples of how the Austrians have tackled similar problems to ours are outlined in my article in issue 99 of iScot Magazine.

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Saints, Kings, Vikings and Shipbuilders. Govan and the Clyde

Although almost on my doorstep, I have to admit it was years before I discovered the magnificent carved stones housed in Govan Old Parish Church. Hundreds of years of history, belief and kingship set in stone and preserved for all to see in the heart of Glasgow. The Govan Stones are an exceptional array of early medieval Christian sculpture that show clearly the importance of this place to the Kings of Strathclyde.

According to tradition, the original church on this special site was founded early in the 6th century and dedicated to St Constantine. Built of wood and close to a holy well (a location much favoured by the Celts) it was surrounded by an almost circular wall.

The people who lived here at that time were neither Scots nor Picts, rather Old-Welsh-speaking Britons, part of a powerful kingdom ruled from Alt Clut – Dumbarton Rock. But then came the dreaded Vikings who sailed up the Clyde and in 870 AD the mighty fortress of Dumbarton fell to those ferocious Norse warriors.

One of the hogback Viking Stones

However, Dumbarton’s loss was Govan’s gain as it was to Govan that the new kings of Strathclyde looked to establish their power base. Already an important religious site, Govan now grew as a political and administrative centre: the Christian and the secular powers in the kingdom very closely intertwined. A growing sign of that increased status and subsequent wealth is reflected in what became known as ‘The Govan School’ of carving, which flourished between 900 and 1100 AD. Swirling snakes, elaborate interwoven decoration, mounted warriors, biblical scenes, huntsmen and saints – it’s all there!

As are five massive Viking hogback grave markers, which are truly monumental! At first glance they look like huge humpbacked beasts, but on closer inspection you can see that some are carved to represent wooden-tiled roofs; copies, possibly, of the wooden houses of important Viking chiefs of settlements or bases further west, who recognised the immense spiritual prestige of St Constantine’s Church at Govan and who craved the recognition burial at such an important Christian site would give them.

The Tall Ship reflected in the dramatic windows of the Riverside Museum

Not far from the Govan Stones you’ll find Fairfield Heritage Centre which tells the story of Govan’s long shipbuilding tradition. It also tells the story of brave and determined women like Mary Barbour, a leader in the Rent Strikes of 1915, when, during the First World War, the women of Govan courageously stood against corrupt landlords.

Cross the mighty River Clyde over the brand new pedestrian bridge linking Govan and Partick, and you reach the Riverside Museum, with the Tall Ship berthed in front of it. Along this short stretch of the river there’s much to see and discover. Govan and the Clyde have a long and fascinating history – some good, some not. But all part of the past that has led to the Govan of today where change is afoot. Govan’s story is not done yet!

The full article can be found in issue 98 of iScot magazine, available through Pocketmags.

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Scottish islands in crime fiction

A question: What do William Shakespeare, Jules Verne, Agatha Christie, Peter May and Enid Blyton all have in common? And the answer? They’ve all used islands as settings for some of their most exciting and memorable works.

Just think of those raging storms of Shakespeare’s The Tempest. Or the terror of being trapped on an island with an unknown murderer as in Agatha Christie’s And Then There Were None. Then there’s those bleak, elemental, wind-swept landscapes of Peter May’s Lewis trilogy. And of course, that youthful delight in sailing, swimming and the great outdoors (with a smuggler or two thrown in for good measure) in Enid Blyton’s The Island of Adventure. All examples of that long-standing urge authors have to set their writings in a self-contained and very specific world. And islands fit that bill perfectly.

Scotland’s islands are no exception. We’re blessed with a great many of them. Some lie close to the mainland and so-called civilisation. Others lie far out to sea, beyond the distant horizon. Some sit almost within striking distance of their neighbours. Others in splendid isolation. Yet all with very different landscapes, customs, beliefs and even language. Perfect settings to fuel the imaginations of authors. Over the centuries they’ve provided inspiration for myths, legends and even today’s crime writers. And it’s the works of some of these that I examine in this article in issue 96 of iScot Magazine.

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Coire Fhionn Lochan – an Arran gem

‘Climb every mountain …’

… and take this walk to the beautiful Coire Fhionn Lochan on the west coast of Arran. Its name means the Little Loch of the Pale Corrie, and its crystal-clear water is fringed with white granite sand.

There’s something quite strange about coming to a beach up in the hills, but it’s a lovely spot for a rest or a picnic. It’s not a long walk, but it can be steep. And for the more energetic, there are walks that head further into Arran’s stunning mountains.

It’s a walk rich in history, with clues to the past in the place names that describe the natural features of the surrounding landscape. Place names with a mixture of linguistic roots, that tell of the invaders from other lands, who descended upon these shores. Often arriving as deadly raiders, then returning as settlers, marrying into local communites and eventually adding to the genetic mix that makes up who we are today.

Whose blood flows through your veins? Are you descended from dark-haired Celts, or fair-haired Norse Vikings. Or even those unfortunate Spanish sailors whose ships floundered in the stormy waters off the Scottish coasts in the aftermath of the Spanish Armada of 1588 and stayed on (think of Jimmy Perez!).

This walk has echoes of St Columba, as well as tales of a visit from Robert the Bruce. It’s a walk in the present that resonates with the past. A lochan at the top of the world. Not a bad place to be at all!

Full article available in issue 95 of iScot Magazine

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Eileach an Naoimh

Ancient beehive cells still exist of Eileach an Naoimh

There’s something about islands. That unique sense of wholeness, containedness, apartness. A sense that you can really get to know a place where the borders are so clearly defined by the surrounding water.

But islands have also long been seen as places of retreat from the demands of life. As places of sanctuary, where peace and tranquillity allow time for reflection and decision.

Early Christian monks favoured islands. Partly because the sea was the way people travelled, especially between Ireland and the western seaboard of Scotland. It’s not surprising therefore, that so many Scottish islands have been – and some still are – home to monasteries, chapels and religious settlements of many different shapes and sizes.

Reconstruction of an ancient curragh, a larger version of a corracle

Reconstruction of an ancient curragh, a larger version of a coracle

Though these early travellers still had to live. They had to grow food, build shelter, survive wind, weather and ill-health. So not an easy life in any physical sense, as few lives were in the past. But a way of life chosen by them: living with a purpose, which in all probability, made a difference.

Today many people choose to visit these remote islands to see where these early Christians lived. What is it draws us? There’s the excitement and sense of adventure of the journey at sea in a small boat. Then there’s an interest in history and archaeology, for it’s fascinating to see how others lived in the past without the many resources we see as essential to life today. Life pared down to the minimum.

St Brendan voyaging: from a 15th century German manuscript

But there’s also something about setting foot on an island knowing that others have done exactly that all those centuries ago and felt this to be a special place. A holy place. A place where they could live and talk to their God. Be apart for a while and re-connect to what is essential in life. I suspect that’s a longing many of us feel at times throughout our lives.

Eileach an Naoimh is a good example of one of these islands. Favoured by Brendan, Columba and also his mother, Eithne, it was seen as especially holy – hence it’s lasting name, which means Rocky Island of the Saint(s). A visit there is one that offers a real adventure, especially if you choose to reach it by crossing the Corryvreckan Whirlpool, as we did.

And it’s a place to explore and spend time on. To stop for a while and ponder on the lives of those men and women who chose to live here in the past. And perhaps even to wonder what they would make of our lives today? Of our priorities and beliefs? Of our feelings and actions towards our fellows? What would they think of us, I wonder? Now that would be interesting!

The full article is available in issue 94 of iScot Magazine

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Forteviot and the Southern Picts

If the 8th century sculptured stone at Fowlis Wester is anything to go by, the Picts were a dapper looking bunch. The men, that is, as they’re the ones depicted on the carved stones we see today. With razor-sharp beards and nifty topknots, they’d be quite at home amongst today’s hirsute males. And as both mirrors and combs feature among the symbols carved on Pictish stones, they must have been deemed to be of great importance to be given such lasting status. Cool dudes, indeed!

Yet they’re an elusive bunch, our Pictish ancestors. We know they were tribes in northern and eastern Scotland who spoke a Celtic language and flourished from the 3rd to the 9th centuries, spanning the late Iron Age and the early medieval period. Yet there’s still much about them we don’t know.

Fortunately, there have been a number of Pictish-related archaeological projects in recent years. These excavations have unearthed (and are still unearthing) finds that have added greatly to our knowledge and understanding of the Picts. And as knowledge of the past is not static, as any archaeologist worth his or her salt knows, there’s always more to discover.

East of Fowlis Wester is the village of Forteviot: a small, unassuming place, yet one with a remarkable past. It was once the heart of the mighty kingdom of the southern Picts and would go on to be acknowledged as the ‘cradle of Scotland’. The place where the Scots and the Picts finally came together as the Kingdom of Alba, which in turn gave birth to the nation that would become Scotland.

That transformation is a fascinating story. And one which I examine in this month’s article. The story of our Pictish ancestors is riveting history. And slowly but surely, bit by bit, we’re learning more.

iScot issue 93

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The Earthquake House

The first time I experienced a serious earthquake was in 1984 in Soviet Central Asia. We were in Uzbekistan, an area of high seismic activity, and though the local people took the quake in their stride, it left us more than a little shaken. It was soon obvious that the older, traditional, mudbrick houses ‘moved’ with the quake, thereby suffering little damage. But for the more modern Soviet buildings of concrete, steel and chrome, it was a different story altogether. Buckled metal and twisted doors were followed by a fair amount of consternation as to how, or even if, the damage could be repaired.

Fast forward to October 2005 and a family holiday on the Greek island of Zakynthos. On hearing a growing rumble, my first thought was that a very large plane was flying directly overhead. Living as we did then under the flight path to Glasgow airport, my initial reaction was one of annoyance – why was it that even on holiday we couldn’t escape the noise of those wretched planes! It didn’t take long however, to realise this was something very different, not an aircraft but an earthquake of magnitude 5.7.

Earthquakes can be fearsome things even when we know what’s causing them. But imagine what it must have been like for our ancestors as they tried to make sense of the mysterious and often destructive heaving of the planet. We can see their attempts to explain earthquakes in primitive myths and legends: those frightening tales of titans, giants and monsters. Tales of fearsome and unpredictable entities forever fighting, hurling huge, mountain-sized boulders at one another – causing, it was believed, earthquakes. And if not that, then blame the Wrath of God!

Fortunately we now have a far greater understanding of what causes earthquakes: of the geological forces behind Continental Drift and tectonic plates. Yet, the story of how we reached this understanding and the role played by the 19th century ‘Comrie Pioneers’ is a fascinating one. And one that I tell in issue 92 of iScot Magazine.